Madness and Insanity in Shakespeares Hamlet - The Cause of Ophelias Insanity :: Shakespeare Hamlet Essays

village The Cause of Ophelias Insanity Shakespeare, by means of his intricate uses of symbolism and dramaticirony, arranges a brilliantly detailed note of how Hamlets kindupheaval served as the driving force of Ophelias swelling madness andimminent suicide. He floods the early acts with an impending sense ofconfusion inside Ophelia, for her feelings toward hamlet greatly contrastthose of her brother and father. Ophelia get offs to willingly take paying attention ofher familys advice as the prince finds himself removed from a lucidpattern of thought. However, because her feelings for him are genuine, thisserves save to exalt her mental strain. In the height of Hamletsincoherent rage, he provides Ophelia with the final medium for herensuing madness. The murder of Polonius is the greatest among many an(prenominal) factorsthat were contributed by Hamlet to the somber fate of Ophelia. A prelude, composed of warnings from Polonius and Laertes, istactfully set up by Shakespeare dur ing Ophelias initial appearances in theplay, aiding in the preparation for her subsequent mental deterioration. Pol. What is between you? Give me up the truth. Oph. He hath, ny lord, of late made many tenders Of his affection to me. Pol. Affection, puh You speak like a green girl Unsifted in such perilous circumstance. Do you believe his tenders as you call them? Oph. I do not know, my lord, what I should think. (I, iii, ln.107-113)Ophelia openly professes her confusion. Polonius response is presented ina manner which is clearly intended to sincerely disdain Hamlet earlier hisdaughter, making obvious his opinion of their involvement. His intent forher actions, however, will merely expand her confusion. Ophelia concedesthat she is not aware of a solution with which to halt or hitherto improve thissituation. For this reason, no preventive measures are taken, onlyallowing the situation to worsen. Hamlets capitulum grows more and more clouded as his goal becomes clear,and in the m iddle of his pervading preoccupation, he pushes Ophelia to thepoint of mental breakdown. This notion appears in the second act, laterOphelia first sees a deranged Hamlet. Oph. Lord Hamlet with a cheek so piteous in purport As if he had been loosed pop of hell To speak of horrors -he comes before me Pol. Mad for thy love? Oph. My lord I do not know But I truly do fear it. (II, I, ln. 87-97)Her confusion has evolved into a state of dread, and this dread will beginto penetrate her consciousness as it grows more and more intense.